Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Ó÷åáíîå ïîñîáèå ïî àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðå — 2011

Ïîñîáèå çíàêîìèò ñ îñíîâíûìè ÿâëåíèÿìè àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðû. Ïîñîáèå ñîäåðæèò áèîãðàôè÷åñêèå ñâåäåíèÿ îá àâòîðå, àíàëèç òâîð÷åñòâà è îòðûâêè èç ïðîèçâåäåíèé. Ïîñîáèå ðàññ÷èòàíî íà ó÷àùèõñÿ ñðåäíèõ øêîë, ëèöååâ, ãèìíàçèé, êîëëåäæåé. Ñòóäåíòîâ âûñøèõ ó÷åáíûõ çàâåäåíèé, ó÷èòåëåé è ïðåïîäàâàòåëåé, à òàêæå øèðîêèé êðóã ëèö, ñàìîñòîÿòåëüíî èçó÷àþùèõ àíãëèéñêèé ÿçûê.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Shaw B., Pygmalion — 2010 (Selected Plays) (English classical literature)

 èçäàíèå âîøëè äâå ïüåñû àâòîðà. Îäíà èç íèõ - "Ïèãìàëèîí" (1914) - ïîâåñòâóåò î ïðîñòîé öâåòî÷íèöå, ñòàâøåé íàñòîÿùåé ëåäè. Äðóãàÿ - "Öåçàðü è Êëåîïàòðà" (1899), â êîòîðîé þíàÿ äåâóøêà íà ãëàçàõ ÷èòàòåëåé ïðåâðàùàåòñÿ â íàñòîÿùóþ öàðèöó.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Ìàëåíüêàÿ êîìåäèÿ íðàâîâ — 2000 (Èçó÷àåì èíîñòðàííûå ÿçûêè)

Êíèãà ðàññ÷èòàíà íà øèðîêèé êðóã ÷èòàòåëåé, èçó÷àþùèõ àíãëèéñêèé ÿçûê. Êàæäàÿ ñòðàíèöà òåêñòà ñíàáæåíà ïîñòðàíè÷íûì ñëîâàðåì è êîììåíòàðèåì, à òàêæå ïåðåâîäîì ðàçëè÷íûõ ëåêñè÷åñêèõ è ãðàììàòè÷åñêèõ òðóäíîñòåé.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Õðåñòîìàòèÿ ïî àíãëèéñêîé ëèòåðàòóðå ÕÕ âåêà — 1985

Õðåñòîìàòèÿ ïðåäñòàâëÿåò ñîáîé ïîñîáèå ïî êóðñó àíãëèéñêîé ëèòåðàòóðû XX âåêà äëÿ ñòóäåíòîâ ôàêóëüòåòîâ èíîñòðàííûõ ÿçûêîâ ïåäàãîãè÷åñêèõ èíñòèòóòîâ.  íåå âõîäÿò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ ïèñàòåëåé è ïîýòîâ. Îòêðûâàåò êíèãó êðàòêèé î÷åðê, õàðàêòåðèçóþùèé àíãëèéñêóþ ëèòåðàòóðó ÕÕ âåêà, åå îñíîâíûå íàïðàâëåíèÿ è òåíäåíöèè. Êàæäîìó ïðåäñòàâëåííîìó â õðåñòîìàòèè àâòîðó ïðåäøåñòâóåò êðàòêàÿ áèîãðàôè÷åñêàÿ ñïðàâêà. Êíèãà çàâåðøàåòñÿ ïîäðîáíûìè ïðèìå÷àíèÿìè, äàþùèìè íåîáõîäèìûå ëèíãâèñòè÷åñêèå, ëèòåðàòóðíûå è èñòîðè÷åñêèå ïîÿñíåíèÿ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Nightingale B., An Introduction to Fifty Modern British Plays — 1982 (Pan Literature Guides)

Designed as a series to provide a comprehensive introductionto nglish, American and European literature, each title examies one particular form and period, discussing in detail the important writers andtheir major works in the contextto their times.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The Idea of Literature. The Foundations of English Criticism — 1979

Ñòàòüè ñáîðíèêà äàþò ïðåäñòàâëåíèå î ôîðìèðîâàíèè ëèòåðàòóðíî-êðèòè÷åñêîé ìûñëè â Àíãëèè íà ïðîòÿæåíèè ÷åòûðåõ ñòîëåòèé - îò ýïîõè Âîçðîæäåíèÿ äî íàøèõ äíåé. Èçäàíèå ñîïðîâîæäàåòñÿ âñòóïèòåëüíîé ñòàòüåé, ñïðàâêàìè îá àâòîðàõ è êîììåíòàðèÿìè ê òåêñòó.  ñáîðíèê âîøëè êðèòè÷åñêèå î÷åðêè êðóïíåéøèõ àíãëèéñêèõ ïèñàòåëåé è ëèòåðàòóðíûõ êðèòèêîâ: Ñèäíåÿ, Ôèëäèíãà, Äèêêåíñà, Òåêêåðåÿ, Øîó è äð.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Shaw B., Selected One Act Plays — 1978

Bernard Show was born in Dublin, of Protestant stock, in 1856, and died at Ayot St Kawrence, Herts, in 1950. After a false start in ninteenth-century fashion as a novelist, he made a reputation as a journalist-critic of books, pictures, music, and the drama. Meanwhile he had plunged into the Socialist revival of the eighteen-eighties and come out as one of the leaders who made the Fabian Society famous, figuring prominently not only as a pamphleteer and platform orator, but as a serious economist and philosopher, and publishing major essays on Ibsen and Wagner. He broke out in a new direction in 1892 as a playwright, although it was not until some twelve years later that the opposition he had always to face first was over-come sufficiently to establish him as an irresistible force in the theatre

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Shaw B., Androcles and the Lion. An old fable renovated — 1978

Bernard Shaw was born in Dublin of Protestant stock, in 1856, and died at Ayot St Lawrence, Herts, in 1950. After a false start in nineteenth-century fashion as a novelist, he made a reputation as a journalist-critic of books, pictures, music, and the drama. Meanwhile he had plunged into the Socialist revival of the eighteen-eighties and come out as one of the leaders who made the Fabian Society famous, figuring prominently not only as a pamphleteer and platform orator, but as a serious economist and philosopher, and publishing major essays on Ibsen and Wagner. He broke out in a new direction in 1892 as a playwright, although it was not until some twelve years later that the opposition he had always to face first was over-come sufficiently to establish him as an irresistible force in the theatre.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Shaw B., Major Barbara — 1977

Major Barbara is thought to be one of Shaws most Controversial works. While trying to give a realistic presentation of how he saw Christianity, many accused him of blasphemy. Major Barbara Undershaft thought it hypocrisy that her church accepted charity from companies, such as a whisky distiller, and eventually decided that it would be more fulfilling to bring salvation to people who had plenty of vises, the people in need. Shaw intended to show that no matter how terrible the donor may be, the donation can produce good

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Shaw B., Mrs. Warren s Profession — 2002 (Chimera Classics)

Ñåðèÿ ñîñòîèò èç ëó÷øèõ ïðîèçâåäåíèé àíãëèéñêèõ è àìåðèêàíñêèõ àâòîðîâ. Òåêñòû êíèã íå àäàïòèðîâàíû è íå ñîêðàùåíû, ïîýòîìó Âû ñìîæåòå íàñëàäèòüñÿ íàñòîÿùèì ÿçûêîì âåëèêèõ ïèñàòåëåé - ìÿãêèì þìîðîì Ìàðêà Òâåíà, ôàíòàçèåé Ðåäüÿðäà Êèïëèíãà, îñòðîóìèåì Áåðíàðäà Øîó, áåçóêîðèçíåííûì ñòèëåì Ýäãàðà Ïî è ìíîãèì äðóãèì. Ñåðèÿ ïðåäíàçíà÷åíà äëÿ òåõ, êòî õî÷åò äåéñòâèòåëüíî çíàòü ýòîò êðàñèâûé è ìíîãîãðàííûé ÿçûê.

Ñîäåðæàíèå: Mrs. Warren's Profession; The Dark Lady of the Sonnets

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Shaw B., Arms and the Man. An Anti-Romantic Ñomedy in Three Àcts — 1976

In the opening scene of Arms and the Man, which establishes the play's embattled Balkan setting, young Raina learns of her suitor's heroic exploits in combat. She rhapsodizes that it is "a glorious world for women who can see its glory and Then who can act its romance!" Soon, however, such romantic falsifications of love and warfare are brilliantly and at times hilariously unmasked in a comedy that reveals George Bernard Shaw at his best as an acute social observer and witty provocateur.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Shaw B., Selected Plays — 2006

ßçûê ïüåñ æèâîé è îñòðîóìíûé, ëåãêèé è äîñòóïíûé, áóäåò èíòåðåñåí âñåì, èçó÷àþùèì àíãëèéñêèé ÿçûê.

Ñîäåðæàíèå: Pygmalion; Heartbreak house

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Shaw B., The Doctor s Dilemma. A Tragedy — 1977

George Bernard Shaw was born in Dublin in 1856. Before becoming a playwright he wrote music and literary criticism. Shaw used his writing to attack social problems such as education, marriage, religion, government, health care, and class privilege. Shaw was particularly conscious of the exploitation of the working class. Since a botched operation on his foot, .Shaw had little respect for the majority of doctors. The Doctors Dilemma is about a doctor who has discovered a cure for tuberculosis and is faced with the decision of whether to save a great artist or an unselfish friend who has not made a success of his life. The doctor's decision is further complicated by the fact that he is in love with the artist's wife

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Shaw B., Major Barbara — 1982

Major Barbara is thought to be one of Shaws most Controversial works. While trying to give a realistic presentation of how he saw Christianity, many accused him of blasphemy. Major Barbara Undershaft thought it hypocrisy that her church accepted charity from companies, such as a whisky distiller, and eventually decided that it would be more fulfilling to bring salvation to people who had plenty of vises, the people in need. Shaw intended to show that no matter how terrible the donor may be, the donation can produce good

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Shaw B., Plays Unpleasant — 1982

This volume contains a small collection of plays written by Bernard Shaw. These thought-provoking plays aim to challenge the audience—s moral complacency apropos serious social issues and injustices. Unusual and intriguing, they will greatly appeal to fans of Shaw—s work. The plays contained herein include: —Widowers— Houses—, —The Philanderer—, and —Mrs. Warren—s Profession—. George Bernard Shaw (1856 - 1950) was an Irish playwright who co-founded the London School of Economics. Many vintage texts such as this are increasingly scarce and expensive, and it is with this in mind that we are republishing this book now, in an affordable, high-quality, modern edition. It comes complete with a specially commissioned biography of the author.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Shaw B., Plays Unpleasant — 1977

This volume contains a small collection of plays written by Bernard Shaw. These thought-provoking plays aim to challenge the audience s moral complacency apropos serious social issues and injustices. Unusual and intriguing, they will greatly appeal to fans of Shaw s work. The plays contained herein include: Widowers Houses, The Philanderer, and Mrs. Warren s Profession. George Bernard Shaw (1856 - 1950) was an Irish playwright who co-founded the London School of Economics. Many vintage texts such as this are increasingly scarce and expensive, and it is with this in mind that we are republishing this book now, in an affordable, high-quality, modern edition. It comes complete with a specially commissioned biography of the author.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Shaw B., Pygmalion — 1978

Bernard Show was born in Dublin, of Protestant stock, in 1856, and died at Ayot St Kawrence, Herts, in 1950. After a false start in ninteenth-century fashion as a novelist, he made a reputation as a journalist-critic of books, pictures, music, and the drama. Meanwhile he had plunged into the Socialist revival of the eighteen-eighties and come out as one of the leaders who made the Fabian Society famous, figuring prominently not only as a pamphleteer and platform orator, but as a serious economist and philosopher, and publishing major essays on Ibsen and Wagner. He broke out in a new direction in 1892 as a playwright, although it was not until some twelve years later that the opposition he had always to face first was over-come sufficiently to establish him as an irresistible force in the theatre

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

James H., Imaginative Litterature:Selections from the Twentieth Century. Vol.I. Great Books V.59

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Shaw B., No Part on Your Death — 1986

A gritty, terse glimpse at life through the indomitable lens of a crime classic master. Portraying the oddities and kinks of human behaviour as well as the prejudices inherent in nations, Freeling casts a loving and sometimes scathing eye on humanity in this accomplished novel. Henri Castang is exposed as a raw, vulnerable man when faced with the cruel truth that he had a part, a share and even responsibility in the deaths of others throughout Europe.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Shaw G.B., ... A Fearless. Champion of the Truth — 1977

 ñáîðíèê èçáðàííûõ ïðîèçâåäåíèé êëàññèêà àíãëèéñêîé ëèòåðàòóðû Áåðíàðäà Øîó âõîäÿò ïðîèçâåäåíèÿ ðàçíûõ æàíðîâ, à òàêæå ýïèñòîëÿðíîå íàñëåäèå Øîó (ïèñüìà ê Ýëëåí Òåððè, Ïàòðèê Êýìïáåëë è äð.). Ñáîðíèê ñîïðîâîæäàåòñÿ âñòóïèòåëüíîé ñòàòüåé è êîììåíòàðèåì ê òåêñòó. Îí ïðåäíàçíà÷àåòñÿ äëÿ ñòóäåíòîâ ãóìàíèòàðíûõ âóçîâ, èçó÷àþùèõ àíãëèéñêèé ÿçûê, à òàêæå äëÿ øèðîêîãî êðóãà ÷èòàòåëåé

Ñîäåðæàíèå: John Bull's Other Island; Augustus Does His Bit; The Miraculous Revenge; The Serenade; The Quintessence of Ibsenism; Lenin.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ